Everything Heals, Given Time

The artwork shows a woman suspended in shibari rope from her hips, facing upward. Her feet and chest are tied together, and a potted Monstera deliciosa plant acts as a weight. The scene incorporates heavy plant motifs, with a color palette of gold, yellow, and green, symbolizing themes of growth and healing.

You Will See Me Come Undone

A person with brown hair is suspended in shibari rope from a tree, the forest surrounding them like a living embrace. The gold rope stands out against the earthy tones of brown, green, and copper, highlighting the interplay between strength and vulnerability as they become one with the forest.

So You Want to Play With Magic?

this portrait features a figure in detailed pony gear. The eyes reveal the inner thoughts and emotions of the person behind the mask, while a pair of hands holds the reins, hinting at themes of control and power.

You Free Your Mind in Your Androgyny

Inspired by Garbage’s Androgyny, this piece explores the fluidity of gender expression. The figure, adorned with shibari rope up their leg, poses against a pink and gold background. With a gesture that blurs traditional lines, they cradle something inside their underwear—whether it’s a penis, a packer, a vibrator, or something else entirely, remains ambiguous.

Amber Is the Color of Your Energy

Inspired by 311’s Amber, this piece intertwines warmth and mystery. A hand holds a cigar, with the smoke rising to reveal the ghostly image of a figure bound in shibari ropes.

I Would Dare to Speak Its Name if I Knew What It Was Called

Inspired by the evocative tones of Bell X1’s Flame, this piece captures a figure in a shibari partial suspension from a tree, set against an autumnal landscape. The warm colors of brown, pink, orange, red, and gold envelop the scene, while dandelions in the foreground hint at fragility and fleeting moments.

I Know I Don’t Know You, But I Want You So Bad

This piece offers an intimate look at a basic double column tie, focusing on the intricate details of the knot itself. The absence of a figure draws attention to the rope, reflecting the artist’s own experience of exploring this art form with a mix of shyness and vulnerability.

You Gotta Know, I’m Feeling Love Made of Gold

This piece depicts a Black woman engaged in pony play, exuding strength and grace. Seen from behind, she wears a pony mask and a high ponytail, accentuated by a sleek black pencil skirt.

I’m Open to Falling From Grace

Facing forward with knees spread, she exudes a brazen audacity and comfort in her own skin. The use of pink, orange, red, and gold emphasizes the boldness of unapologetic self-expression.